The Forger's Requiem by Bradford Morrow
Published by Atlantic Monthly Press on January 14, 2025
The Forger’s Requiem is the third (and presumably final) book in a series that began with The Forger and continued with The Forger’s Daughter. The forger is Will Gardener. His daughter, Nicole Diehl, is also a forger, or at least she became one in The Forger’s Daughter due to the machinations of Will’s enemy, Henry Slader. The Forger’s Requiem recounts the essentials of the backstory so a reader can enjoy the final novel without reading the first two.
The rest of this review might contain a spoiler for readers who haven’t read the first two novels but plan to do so. Govern yourself accordingly.
Slader is a rival forger who, in the first novel, “cleaved off several of Will’s fingers in a mad assault that landed the man behind bars for a good long stretch.” The second novel follows Slader’s scheme to enlist Will’s cooperation in plan to sell a first edition of an Edgar Allen Poe book with the author’s forged signature. Slader uses blackmail to induce Will’s cooperation. At the novel’s end, Nicole liberates her father by smacking Slader on the head with a shovel that they then use to dig his grave.
The Forger’s Requiem begins with Slader rising from the dead. Of course, Slader isn’t dead, but was mistaken for a corpse when Will and Nicole interred him. This seems appropriate, as Will is obsessed with Poe, who “buried his characters alive with impressive regularity.”
Slader realizes that his life has “amounted to little more than a wasteland of mistakes,” but he needs money to disappear and live out his days as a hermit. He again resorts to blackmail — this time choosing Nicole as his victim — by threatening to release the blackmail material that he has been holding against Will.
Nicole wants to protect her father but is even more interested in learning whether the material is authentic. If so, her father might be something of a monster. Nicole is morally flexible about forgery but brutal murder is on another level. She ponders this dilemma while finding a girlfriend with whom she can share clever banter.
Slader needs Nicole to fabricate a series of letters written by Mary Wollstonecraft Shelley. To get into the spirit, Nicole visits England, learns all she can about Shelley, speculates about Shelley’s life, and shares her literary insights with her new lover. Fans of Frankenstein or its author should enjoy the deep dive into Shelley’s life, just as fans of Poe might enjoy the earlier novels.
Nicole develops a measure of sympathy for Slader as they chat over tea. Their erudite conversations, like Nicole’s banter with her lover and the story’s literary asides, make the book seem very civilized. That makes a savage ending an interesting contrast, albeit one that seems unlikely and a bit forced. I nevertheless recommend the trilogy to fans of literary crime fiction. Readers who don’t have time to read them all can get the flavor of the series by reading The Forger’s Requiem.
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