The Entire Sky by Joe Wilkins

Published by ‎ Little, Brown and Company on July 2, 2024

The Entire Sky is a story of choices, primarily the choice between suicide and endurance, but also the choice to notice when people need help or to leave them unseen, to help those we see or to condemn them. The story is heartwarming because good people dealing with tough circumstances, including poor decisions they've made in the past, decide to make the right choices.

Justin lived in Seattle. He wasn’t big enough to protect his mother from her boyfriend’s physical abuse, but he tried. His mother didn’t have the physical strength to protect Justin from her boyfriend’s retaliation and didn’t have the emotional strength to make her boyfriend leave. So Justin left instead, running away at first, later going to Montana to live with his mother’s brother Heck.

As the novel begins, Justin is running away again, this time to avoid the consequences of caving in Heck’s head with a maul. Justin’s backstory leading to that violent moment is interwoven with the story that unfolds in the present.

A key to Justin’s personality is his physical resemblance to Kurt Cobain and his love of Nirvana’s music. Apart from committing a murder (and nobody will be sorry about Heck’s death), Justin is polite, kind, and respectful — a young man readers will easily like.

With his guitar and a backpack, Justin hitchhikes to Billings, where he earns a few dollars busking. He doesn’t understand why people appreciate his “tribute” to Cobain until he reads about Cobain’s death in a newspaper. Justin’s travels end when a rancher finds him hiding in a bunkhouse and leaves him breakfast.

The rancher is Rene Bouchard. He’s old and battling pain in his knees, but he still tends his flock of sheep. His wife has just died. His daughter Lianne returned to Montana to help her father care for her dying mother. Lianne teaches at a community college but has separated from her husband and isn’t sure she wants to return to her former job, particularly after she shags Ves, her old friend from high school.

Justin is astonished at how easily he fits in at Rene’s ranch. He loves watching lambs being born although he is appalled by the harsh realities of Rene's business. Rene and Lianne display decency and kindness that Justin has rarely experienced. Ves’ daughter Amy shares Justin’s appreciation of Nirvana’s music. Justin is even thinking of enrolling in school under a new name, but remaking a life is never easy. Justin will have more than his share of troubles to overcome as the novel moves toward a resolution.

Suicide is the novel’s primary theme. Cobain’s is probably the most notable celebrity suicide of his generation, the most notable in American life since Hemingway and Marilyn Monroe. Rene is planning to end his life when Justin’s sudden arrival causes him to postpone his death. Justin reminds Rene of his son Franklin, who also committed suicide. The novel asks why so many boys choose to take their own lives, why American society fails to identify and help them.

Prejudice against gay men, harbored by Montanans who think of themselves as cowboys, is a secondary theme. Justin isn’t gay, but his long hair and earrings make him gay in the eyes of rednecks. Men like Heck who are ashamed of their attraction to other men use violence as a substitute for self-awareness. Franklin was gay and was targeted by other boys (and even some girls) despite his efforts to hide his sexual identity.

A third theme is the difficult relationship between fathers and sons, particularly when fathers (like Rene) find it difficult to express (or even feel) their emotions. Rene blames himself for Franklin’s suicide, as does Lianne for not responding more urgently to Franklin’s cries for help. They both regret that they didn’t listen to him.

Joe Wilkins conveys the unassuming lives of his Montana characters, finding virtue in their hard work and unselfish lives. Without wasting words, he strings together robust sentences to tell a powerful story. He calls attention to all the boys we don’t notice, the boys who succeed at being too small to see, the boys who drift, who sleep in the weeds or in the back seat of an abandoned car or, if they are very lucky, on a friend’s couch for a few nights. The story reminds us that we can look away when we see them, or we can see them as possibilities.

I didn’t try to guess how the story would end but I dreaded a realistic outcome. Wilkins satisfied me by offering two endings, perhaps to emphasize that life is about possibilities and choices. One is a little sad but far from hopeless. The one I preferred is closer to happy. Either one is a fitting conclusion to a powerful story.

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