The Tzer Island book blog features book reviews written by TChris, the blog's founder.  I hope the blog will help readers discover good books and avoid bad books.  I am a reader, not a book publicist.  This blog does not exist to promote particular books, authors, or publishers.  I therefore do not participate in "virtual book tours" or conduct author interviews.  You will find no contests or giveaways here.

The blog's nonexclusive focus is on literary/mainstream fiction, thriller/crime/spy novels, and science fiction.  While the reviews cover books old and new, in and out of print, the blog does try to direct attention to books that have been recently published.  Reviews of new (or newly reprinted) books generally appear every Monday, Wednesday, and Friday.  Reviews of older books appear on occasional weekends.  Readers are invited and encouraged to comment.  See About Tzer Island for more information about this blog, its categorization of reviews, and its rating system.

Entries in spy (100)

Saturday
Dec042010

Spy Sinker by Len Deighton

Published by HarperCollins in September 1990

Spy Sinker retells the Samson saga (as developed in the Game, Set, and Match trilogy and in the first two books of the Hook, Line, and Sinker trilogy) from the points of view of players other than Samson: notably his wife Fiona, the bombastic fellow agent Bret Rensselaer, the Director General Henry Clevemore, and the power behind the scenes, Silas Gaunt. Most of the novel centers on the Game, Set and Match time frame. It fills in gaps and provides additional insight into Fiona, but unlike the other novels, this one is more expository, more telling than showing.

Spy Sinker is essential if you've read the other five for the clarifying background it provides and for tying up loose ends (and maybe even for making sense of the whole thing, because trying to keep information straight that develops over the course of five books is challenging: this novel acts as an outline of prior events). As a stand-alone, however, it's a bit more of a yawner than other books in the series, and certainly a spoiler if you don't save it for last. Its main interest derives from the insight it provides into characters you've grown to know (and to like or dislike, depending on the character) over the course of the first five books.

RECOMMENDED

Monday
Nov292010

The Sisters by Robert Littell

First published in 1986

The Sisters is one of the best of Robert Littell's novels, and the best of the four fictional accounts of a certain real world event I've read. The plot is byzantine without being confusing; the complexity is lovely and the pace at which events unfold is perfect. Unlike some of Littell's earlier works, the characters on display in The Sisters are fully realized.  A synopsis would spoil the fun, so my description of the novel's contents will be brief.

The sisters Dark and Night (a line from a Whitman poem) are two odd duck CIA agents whose job is to plot.  They are wonderfully quirky and so Machiavellian by nature the CIA seems a perfect place for them to roost.  They’ve cooked up a conspiracy they believe to be authorized, albeit silently, by the CIA Director, and they keep it to themselves when they set it in motion.  Figuring out who is working for whom (and who is betraying whom) is the novel's challenge, but the novel is worth reading for its characters, not just its intrigue.  The story's portrayal of the political workings of the CIA (which might as well be the CYA) seem perfectly credible; in any event, it's a fun addition. A satisfying display of karma at the novel's end left me grinning.

The Sisters is a masterful work, a treat not just for fans of espionage novels but for any reader who enjoys good writing.

HIGHLY RECOMMENDED

Saturday
Nov272010

Spy Line by Len Deighton

Published by Alfred A. Knopf on November 25, 1989

Spy Line -- the middle installment in the Hook, Line, and Sinker trilogy -- picks up where Spy Hook left off. Samson's loyalty is questioned, he isn't getting answers to his own questions about his wife's defection, people are dying, and people who seemed to die in the past aren't staying dead. More I cannot say without spoiling the intricate plot.

Spy Line has more action than the previous novel. Samson proves himself an adept field agent even after years behind a desk. But he isn't a James Bond type superhero; he's a dedicated public servant who wants to uncover the truth even if his superiors would prefer that the truth be kept secret. The minor characters in Spy Line really shine: they bumble, they seduce, they act shamefully or unselfishly -- in short, they behave as inconsistently and unpredictably as real people, and real people is what they feel like. Deighton does a masterful job of bringing every character to life in this book. He also does a remarkable job of establishing a sense of place -- the reader feels present in (what was then) East Germany, feels the repression, the fear, the history. And he does a satisfying job of tying together the loose threads, of resolving all the outstanding plot lines.

The story is compelling (even shocking) but this novel stands out for Deighton's portrayal of Samson as a man torn apart by his love for a treasonous wife, for his live-in girlfriend, and for his country (which doesn't treat him well at all). This novel is nearly as good as John Le Carre at his best.

RECOMMENDED

Saturday
Nov202010

Spy Hook by Len Deighton

 

Published by Alfred A. Knopf on December 3, 1988

This is the first novel of a trilogy that follows the Game, Set and Match trilogy (in which British agent Bernard Samson's wife Fiona defects). Spy Hook begins with the beleaguered Samson asking former agent Jim Pettyman, now working for an American corporation, to return to England to answer questions in the investigation of missing agency funds. After considerable intrigue involving (among other characters), a Hungarian known as Dodo, Samson learns something he isn't supposed to know about Bret Rensselaer, an agent who played an important role (and died) in the Game, Set and Match trilogy. To the consternation of his bosses, Samson keeps nosing into the missing money, following his suspicion that Fiona set up the account. Eventually Samson comes under suspicion (could he be working with his treasonous wife?) and as the noose begins to tighten, we come to a cliffhanger ending.

The sheer number of characters involved in the story can make it a bit confusing, but that complexity is just a reason to pay attention, to look back from time to time, or to take notes, not to dislike the book. The story is fast paced, intriguing, tightly plotted and well written with sharply defined characters. Samson's growing confusion as he defies orders and investigates matters he's supposed to leave alone makes him an appealing, sympathetic character. The supporting characters are often recognizable components of bureaucratic institutions -- the ones who get ahead by knowing the right people and stay there by creatively doing nothing, taking credit for the hard work of their subordinates.  All told, Spy Hook is an excellent beginning to the trilogy, topped only by Spy Line,  the second installment.

RECOMMENDED

Monday
Nov152010

TSAR by Ted Bell

First published in 2008

There are espionage writers like John Le Carre, Robert Littell, and Len Deighton who craft credible stories about memorable characters. There are espionage writers like Ian Fleming who create a larger-than-life hero whose adventures aren't particularly credible but are nonetheless great fun. And then there's Ted Bell, who brings us Alex Hawke: an over-the-top version of James Bond whose adventures in Tsar aren't even within spitting distance of credibility and whose prose doesn't quite reach the level of decent pulp fiction.

To some extent, I viewed Tsar as a guilty pleasure: a fast, easy read that featured plenty of preposterous action and a sharply defined (if incredibly simplistic) view of good and evil. The novel reads like a parody of a James Bond novel and some of the events Bell imagines (like Hawke's encounter with Putin in a Russian prison where Putin is scheduled to be impaled) are hilarious. Viewed in that light, Tsar produced enough chuckles to make the reading experience tolerable. Unfortunately, Bell's prose style too often falls flat, Alex Hawke is annoyingly self-righteous, the villain is a cartoon, and the "threat" to world security that Hawke confronts is so ridiculous that the novel fails even as parody.

As much as Bell seems to be positioning Hawke as the next James Bond, he just doesn't cut it. If you're looking for a quick, easy action story, Tsar will help you kill some time, but you'd do better to pick up an old Ian Fleming and read or reread the genuine article.

NOT RECOMMENDED