The Moscow Club by Joseph Finder

Published by Viking on February 1, 1991

The Moscow Club is Joseph Finder's first novel. It is the work of a writer who hasn't yet mastered his craft. Finder's writing style too often depends on clichéd expressions: a house of cards falls, a character knows something like the back of his hand, and secrecy is for the birds. Chase scenes read like descriptions of the chases in bad television shows. Sex scenes are sophomoric. When those flaws aren't cropping up, however, Finder's style is fluid, making the novel easy to read.

The plot resembles a generic Ludlum conspiracy: the good guy learns something he isn't supposed to know, the bad guys try to kill him, and as the good guy works to save himself by learning the whole truth, everyone who helps him dies. The characters are undistinguished, lacking in personality; Finder spends little time trying to make them interesting. For the most part, the story is credible, although the main character pulls off some James Bond style gymnastics that don't fit well with the novel's general identity, as if Finder is trying to be Ludlum and Fleming and Le Carre all at once.

Setting aside those criticisms, I recommend The Moscow Club to fans of espionage thrillers. The intricate plot is logically consistent, the pace (while a bit erratic) gains velocity as the novel progresses, and the interweaving of Russian and Soviet history adds interest to the story. While much of the plot is predictable, the novel is never boring and Finder rewards the diligent reader with a nice surprise at the end. The Moscow Club is an uneven but worthy first effort by a writer who sharpened his skills in later novels.

RECOMMENDED

Kingfisher by Gerald Seymour

First published in 1977

To make a political statement about the plight of Ukrainian Jews, four individuals conspire to murder a police officer in Kiev. Moses Albyov, chosen by lot to pull the trigger, botches the killing, leaving the wounded officer alive to describe him. After his arrest, the remaining cell members, David, Isaac, and Rebecca, fearful that Moses will identify them, decide to hijack a plane and flee to Israel. Charlie Webster, an analyst for the SIS who tracks Soviet dissidents, plays a central role in communicating with the hijackers.

What does the kingfisher have to do with any of this? "She is fast and swift, and she holds the initiative in her world. None can catch her, few even see her, she is devastating in her attack." That description of the kingfisher comes from the old soldier who provides arms to David for use in the hijacking. David, a naive young man who pictures himself as heroic until doubt and his conscience begin to trouble him, announces on the plane's radio that he is a Jewish Resistance Commando and names the flight "the Kingfisher."

Kingfisher is a solid thriller. Through much of the novel, the perspective is that of the hijackers, who justify their actions (at least initially) as a necessary response to oppression. At other times the reader sees the hijacking through different eyes: the passengers, European and Israeli politicians, German veterans who watch the plane overfly the Hanover airport, European Jews who once lived in Russia, and Webster are among those who contribute opinions about the hijackers. Kingfisher makes the point that one person's terrorist is another person's freedom fighter -- an observation that may have been clichéd even when the novel was published in 1977, but that nonetheless remains salient. In any event, the shifting perspectives add complexity and interest to the story.

Readers who prefer novels that feature morally pure heroes defeating cartoonishly evil bad guys will probably dislike Kingfisher. Gerald Seymour's strength is his ability to dramatize moral ambiguity. In Kingfisher, the reader understands and sympathizes with the hijackers despite their repellent actions. Similarly, the reader sympathizes with Webster, who is forced to make a difficult moral choice at the end of the novel. The difference between right and wrong is rarely clear in Seymour's novels. I like that reflection of reality, but readers who prefer the kind of escapist fiction that draws a distinct line between good and evil should probably avoid Seymour.

A minor quibble: the dialog spoken by Americans sounds very British. Other than that, Seymour's writing is strong, his characters are believable, and the pace is perfect. Seymour is an under-appreciated writer whose novels deserve a wider audience. Although Kingfisher is a bit dated (the hijacking described in the novel probably couldn't happen today, even in Kiev), the reader will quickly be drawn into the story, captivated by the mounting tension and the evolving personalities of the hijackers.

RECOMMENDED

Death Throes by Clive Egleton

First published in 1994

True to the form established in the first two Peter Ashton novels (Hostile Intent and A Killing in Moscow), Death Throes begins with a death. A Russian using the name Valentin has contacted SIS and asked to meet with Ashton in Bulgaria. Ashton goes to Sofia to meet Valentin's contact, only to find him dead in his apartment. Ashton is soon taken prisoner by the KGB and interrogated about Valentin. Escaping and returning to London, Ashton finds himself caught between Valentin, who wants to sell secrets in exchange for money, and some members of the SIS who want to use him as a pawn to uncover Valentin's identity. The plot takes Ashton to Estonia for another meeting with Valentin (but is it the same Valentin?) and to Berlin, where a related story unfolds concerning a former KGB hit man who assassinates a neo-Nazi leader.

Intricate plotting is Egleton's strength. The story in Death Throes sometimes seems a bit convoluted -- I often found myself reviewing earlier chapters to refresh my memory concerning the many characters who come and go as the plot develops -- but it all comes together by the novel's end. The downside to this novel is Egleton's writing style, which is sometimes less than graceful. In addition, Egleton has a tendency to bombard the reader with information that isn't particularly useful, like the price SIS paid for a safehouse before the market fell. And while I understand the need to provide background information from past novels so that this one can stand alone (which it does), Egleton sometimes overdoes it. Do we really need to learn (again) that Harriet (Ashton's love interest) obtained "a good upper second in Geography at Birmingham University" before taking the various positions that led to her current employment with SIS?

Perhaps as a result of the digressions about educational backgrounds and job histories and real estate markets, Death Throes does not move with the same pace as the earlier novels (despite a few well written action scenes), and it suffers from the same occasional clunky prose that troubled me in Hostile Intent. There is also less development of Ashton's character in Death Throes than there was in A Killing in Moscow, although more attention is paid to Harriet and to Ashton's relationship with her. All told, I liked Death Throes, but not as much as Hostile Intent and certainly not as much as A Killing in Moscow.

RECOMMENDED

Dead Spy Running by Jon Stock

Published by Thomas Dunne Books on October 26, 2010; first published in Great Britain in 2009

Dead Spy Running begins with Daniel Marchant running a marathon but the story (unlike the runner) takes off at a sprinter's speed. Suspended from MI6, Marchant has personal issues: he drinks too much and his deceased father, the former Chief of MI6, is suspected of having been a traitor. During the race, Marchant observes one of the runners wearing a belt that conceals explosives -- and the runner happens to be trailing near the American ambassador. Marchant's proximity to the suicide bomber is viewed as no coincidence by the suspicious minds at MI5. Soon the CIA fixates on the notion that Marchant is working for terrorists. Even Marchant's spy girlfriend seems uncertain about Marchant's loyalty. The novel follows Marchant as he battles to clear his father's name and his own.

Much of Dead Spy Running has been done before, often by better writers: the son who wonders whether his father was a traitor, by Len Deighton; the spy with a drinking problem by Graham Greene; the mole in MI6 by John Le Carre and many others. Toward the end, however, the plot takes a twist I haven't seen before, saving the novel from being a rehash of tired stories. Dead Spy Running also has an interesting political component that's not exactly new but well done, as MI6 finds itself at odds with MI5 and the CIA.

The plot is the novel's strong point. The characters are nothing special. The CIA spooks seem a bit over-the-top in their thuggish ways, eagerly carrying out extraordinary renditions so they can conduct interrogations via waterboard. (Of course, there's a reason America's clandestine community is seen that way, but still ....) Stock's writing style is fine but far from stirring. He does have the ability to describe locations (Poland and India) with the kind of detail that adds authenticity to the novel. The pace is perfect for a spy thriller: a fast start, easing a bit as the plot sets up, then full throttle to an action-filled end. Stock doesn't resort to having Marchant perform superhuman feats to save the world, but there's plenty here for action fans.

The ending stretches the limits of credibility but I was willing to accept it because ... well, it was satisfying. I liked this novel and I would recommend it to fans of espionage fiction as a worthwhile blend of intelligent plotting and fast action.

RECOMMENDED

The Tears of Autumn by Charles McCarry

First published in 1975

To pursue his theory concerning the assassination of JFK, Paul Christopher resigns from the spy agency that employs him and with the tacit approval of his boss begins an investigation that takes him to Italy, France, and Vietnam, among other places. What he learns may seem a little far-fetched, but McCarry writes convincingly, and his story is a refreshing respite from the more conventional fictionalized views of the Kennedy assassination.

McCarry provides wonderful descriptions of the places to which Christopher travels; the reader can feel danger in the atmosphere as Christopher walks into a Vietnamese alley. McCarry deftly mixes politics with a stirring tale of investigatory intrigue to create a well-paced spy thriller that actually thrills.

I liked McCarry's first novel, The Miernik Dossier, slightly better, but this one is nearly as good.

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