The Mercy of Gods by James S. A. Corey

Published by Orbit on August 6, 2024

The latest project of the writing team known as James S.A. Corey is a classic alien invasion story. It has elements in common with Peter F. Hamilton’s recent Salvation trilogy, in that the aliens take some humans as captives before killing the rest. While Hamilton’s story focuses on humans (and their descendants) who fled Earth and avoided captivity, Corey’s follows the lives of human captives.

The tradition in alien invasion stories is for puny humans to find a way to fight back against a more powerful enemy. And so it is a foregone conclusion that the humans in The Mercy of Gods, when facing a choice between living a reasonably comfortable life as slaves or finding a way to resist, will decide to make a stand. As a character explains: “This is about what we are. As a fucking species.” Yet making an emotionally satisfying but futile stand, while a very human thing to do, might not be the smartest long-term strategy. Whether to fight or wait is the conflict that underlies the first book in the Captive’s War series. (The Mercy of Gods is preceded in time by a novella that hasn’t yet been published.)

As alien species go, the Carryx are nothing special. I visualize them as giant cockroaches but others might imagine them differently. Their social organization is in one respect similar to an ant colony, with a Sovran playing the role of queen who is served by all the other Carryx. The most interesting characteristic of the Carryx is the change in physical form that they undergo when their social status changes (from soldier to Librarian, for example).

The Carryx have roamed through hundreds of solar systems, looking for species to enslave. They’ve been quite successful in that endeavor. The Carryx believe that “rigor and intelligence,” properly applied, will reveal that the universe is expressing an “implacable truth.” Naturally, the truth is that the Carryx are superior to all other beings and are therefore entitled to subjugate them.

The Carryx  cherry-pick the most accomplished inhabitants of an invaded planet for relocation on the Carryx home world, then kill an eighth of a planet’s remaining population to show they mean business. The newly enslaved must demonstrate that they have something to offer the Carryx. If they aren’t useful, they’re wiped out in favor of species that can bring something to the table. Producing something of value to the Carryx is the key to survival.

The human characters are scientists living on the planet Anjiin. Earth has long been forgotten as humanity’s planet of origin. When the Carryx invade Anjiin, they select Tonner Freis and his highly regarded research team to join the other worthy humans who will be transported to the Carryx home world. Tonner’s team has been performing biological research involving the proteins of different species. Their project is way over my head, but it eventually becomes important to the story. Fortunately, an understanding of molecular biology isn’t necessary to follow the plot.

Hundreds of intelligent species from a variety of planets are housed on the Carryx home world. After a species is evaluated, its useful members are dispatched to other worlds controlled by the Carryx. Each subjugated species is assigned a Carryx Librarian to catalog their knowledge.

The Carryx have tasked Tonner’s group with changing something that looks like a berry into a substance that will provide nutrition to something that looks like a turtle. The Carryx assigned the same project to a species that resembles Earth monkeys. The monkeys decide that they can gain an edge in the competition by attacking the humans. Violence ensues. The conflict makes clear that humans are competing against every other species and that the Carryx favor the survivors. Comfort, benefits, and greater resources reward species that are useful to the Carryx. Fortunately for readers, it is a given in science fiction that, in the long run, humans will always win competitions with aliens.

Most of the story is a set-up for novels to follow. Characters on Tonner’s research team include Dafyd Alkhor (who isn’t on the same level as the other researchers but used a social connection to join the team), Else Yannin (who was sleeping with Tonner before she started sleeping with Dafyd), Jessyn Kaul (who worries that she will run out of the pills that keep her brain from rotting), her supportive brother Jellit (not really part of the team but he hangs out with his sister), Rickar Daumatin (whose is defined by rage and cynacism), Campar (who uses humor to cover his insecurities), and Irinna (younger than Jessyn but a talented researcher). They all play individual roles in advancing the story and those who survive will presumably benefit from further character development as the series progresses.

The final element of the first book involves a species known as the Swarm. The Swarm pose an actual threat to the Carryx. They’ve gathered information that has enabled defenses and counterattacks against the Carryx. A spy for the Swarm has acquired critical intelligence but must work with humans to transmit that information to other members of the Swarm so it can be put to good use.

A key theme is the morality of harming a small number of individuals for the greater good of the whole. While sacrificing oneself might be an easy choice for a selfless character, sacrificing friends to save a larger number of strangers is a more difficult decision. When do humans have the moral authority to sacrifice others against their will?

Some alien species will likely be beyond human comprehension. Science fiction writers typically create aliens that humans can understand, usually by giving them the lust for power and conquest that we see in humanity’s less desirable members. Through Dafyd, Corey argues that it is necessary to understand a more powerful enemy before the enemy can be defeated. As Dafyd explains to Rickar, the Carryx can be perceived as bloodthirsty monsters, but from their perspective they are carrying out their proper role in the universe.

Dafyd’s ability to understand the Carryx will likely make him the most important character in the series. How Dafyd and the other humans (perhaps with the assistance of the Swarm) will put that understanding to use remains to be seen. Given Corey’s success with the Expanse series, I expect that the humans will concoct clever means to battle the Carryx.

Reviews of the first novel in a series are always conditional. A trilogy that begins with promise might end with disappointment. I can only say that the strong characters and intriguing set-up in The Mercy of Gods give me reason to look forward to the next installment.

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Pink Slime by Fernanda Trías

First published in Uruguay in 2020; published in translation by Scribner on July 2, 2024

Pink Slime is a jigsaw puzzle assembled from pieces that don’t quite fit together. The novel is driven by an unexplained environmental catastrophe, but there is also an eating disorder story and a dystopian food story and some domestic drama for flavor. The pieces might have fit more snugly without the kid who can’t stop eating.

A phenomenon described as “the red wind” carries something — a toxin, a virus — to coastal cities, afflicting those it touches with a disease that rots their skin. The root of the environmental disaster seems to be algae that causes waters to “expel the fish like a giant stomach.”

Birds have disappeared. Fires are beginning to break out. Food shortages have inspired factories to produce a protein-rich food called Meatrite (people call it “pink slime”) by spinning animals at a high speed until they dissolve into goo. Why not just barbeque the animal? I guess the theory is that Meatrite makes use of all parts of the animal — waste not, want not — but the manufacturing process seems implausible. Perhaps we’re not meant to take it literally, but I’m not sure how else to take it.

Warning sirens direct people indoors when the red wind blows. The narrator lives in a coastal city in South America. She can’t afford to move inland to escape the red wind as more affluent people are doing, although she is saving money to fund her dream of moving to Brazil.

The narrator regularly visits her mother, with whom she has a difficult relationship. Her mother pays cheap rent to live in one of her neighborhood’s mansions, abandoned by its owners during “the evacuation.” The owners wanted someone to keep the hedges pruned in the event they were ever able to return. The mother’s purpose in the story was never clear to me, apart from the apparent belief of some authors that a story isn't complete without illustrating the perilous relationships between mothers and their adult daughters.

The narrator is divorced from Max, who one day ignored the warnings and walked outside to fetch some firewood. Max is no longer in quarantine, but he’s been in a clinic for a long time. Apparently, he’s being studied. Qualifying for chronic care is like winning the lottery. Like many of the novel's unanswered questions, why Max merits study is unclear. I suppose he has some sort of immunity since he hasn't rotted away yet. Why Max decided to take a stroll in the red wind is also unclear. Max might make a greater contribution to the story than the narrator’s mother, but not much.

The narrator used to work as a copywriter but now has a gig taking care of Mauro when his parents are inland. Mauro has a ravenous and insatiable appetite, an eating disorder that will eventually kill him, since he’ll eat wallboard and paint and frozen chickens and possibly his fingers if nobody stops him. Mauro fights with the narrator and steals the pickled vegetables she is hoarding against the food shortage. Mauro is revolting but the narrator must remind herself that his condition isn’t his fault. Whether the condition is related in some way to the environmental catastrophe is never made clear.

Sentences between chapters — “If you’re given a box full of air, what is the gift?” — seem like something a writer might scribble in a notebook. Other times, meaningless fragments of conversations serve as an interlude between chapters. All of this contributes little to the story.

The characters and the environmental catastrophes never come together to build a satisfying story. Mauro’s eating disorder is a distraction from the environmental story, but it occupies a large part of the novel. The purpose it was meant to serve is a mystery to me.

In an effort to make sense of Pink Slime, I read a review in The Scotsman. The reviewer suggested that the pink slime is not algae or wind or Meatrite but the people who have failed their roles as caretakers of the planet. I think that’s a strong insight, although I was frustrated (as I always am) by the unexplained origin of the catastrophe. Is the algae a consequence of pollution? Are germs mutating because of global warming? I like apocalyptic novels to demonstrate cause and effect, but it’s common for modern writers to focus on effects and leave readers guessing about the causes. That seems like cheating to me, but I grew up reading science fiction and scientists tend not to invent a phenomenon without explaining it. My frustration may be my own quirk and not one shared by the general population of readers.

Fernanda Trías has a soothing prose style that almost won me over. Unfortunately, the story didn’t, so I can’t give Pink Slime an unqualified recommendation.

RECOMMENDED WITH RESERVATIONS

Service Model by Adrian Tchaikovsky

Published by Tordotcom on June 4, 2024

Service Model is an amusing story of a robot’s search for purpose. There has been an apocalypse (or a series of apocalyptic events) but it wasn’t caused by a robot revolution. In fact, quite the opposite. Since the cause of civilization’s collapse is the point of the novel, I won’t reveal it, but I will say that Adrian Tchaikovsky furthers the grand tradition of exploring big ideas through science fiction.  

Some humans have survived the end of civilization, but they are outnumbered by robots who follow their programming, carrying on with tasks that have become meaningless. They are increasingly starting to glitch, the end of civilization having had “a negative impact on scheduled updates.” They wander in circles, freeze in place when their memories are full, haul freight back and forth that never gets unloaded. Robots are lining up at repair centers for maintenance that will never be scheduled. Being dutiful robots, they stand in line until they stop functioning altogether.

The story’s protagonist is Charles, a valet robot who works in a manor for a wealthy recluse. Since his master no longer entertains or goes out, Charles maintains a social calendar that is empty and lays out clothing that is never worn. This does not bother Charles, who is content in his performance of useless tasks. Serving a human is all he wants to do, even if the service has no value.

One day, while Charles is shaving his master, he discovers that his master’s throat has been cut. Charles endeavors to go about his day — even reasoning that taking his dead master for a drive might cheer him up — before the majordomo that operates the house calls a robot doctor and a robot cop. Hilarity ensues.

Charles realizes he might have a fault that will require diagnostic intervention but hopes he won’t be sent into retirement. “Given the considerable investment in domestic service that Charles represented, surely he should be allowed to murder three, or even five people before being deemed irreparably unfit for service.”

The plot follows Charles as he searches for another human to serve. He makes his way to Diagnostics, where he hopes a software adjustment will make further murders improbable. He meets a girl who, by virtue of her attire, he mistakes for a robot. She introduces herself as The Wonk and tries to convince him that he has acquired the Protagonist Virus and is now self-aware and autonomous. Charles is certain he is neither of those.

Diagnostics is overcrowded with robots who will never be fixed, so Charles is sent to Data Compression, where it seems his fate is to be recycled. Fortuitous circumstances cause Charles to visit the Library, where all human knowledge is being stored, albeit in a way that makes more sense to robots than to humans. He later encounters a group of humans who would be at home in a Mad Max movie. In the last stop of his journey, Charles visits God.

While Service Model tells a funny story, Tchaikovsky makes some serious points. To preserve humanity’s past, humans held captive in the Library make a long circular commute to engage in meaningless make-work at workplaces next to their residences. Robots were supposed to make manual labor unnecessary, but how can humans be valued in the eyes of others if they don’t work?  The novel asks whether the employment of laborers is any different from ownership of robots. When a robot stops being productive, society discards it. Are humans any different? “Individual value is tied to production, and everyone who’s idle is a parasite scrounging off the state.” The homeless are treated no better than obsolete robots.

Tchaikovsky also has an interesting take on justice. How would one program a robot to mete out justice? In the end, wouldn’t a rational robot determine that everyone is guilty of something and that humans all deserve to be punished? The notion that it’s better to punish the innocent than to allow the guilty to get away with crime is antithetical to American and British values, but common enough among people who accept the authoritarian promise to protect them from imagined threats. And who would make a better authoritarian than a robot?

The story is ultimately about Charles’ search for purpose. Charles appears to frustrate The Wonk at every turn by insisting that his purpose is to serve because that is how he was programmed. And if serving others makes Charles feel fulfilled (a possibility Charles would never articulate because he does not “feel” anything), perhaps service is his purpose. Perhaps humans also have a predetermined purpose that requires no search. Perhaps we are all wired in a particular way and Charles is simply being more honest than humans who believe they can find a purpose through religion or philosophy. Yet the ending suggests that Charles might eventually work around his programming and determine his own purpose, one his programmer did not envision.

This is the first novel of Tchaikovsky’s I’ve read that is primarily a comedy. I’ve enjoyed his space opera and fantasy, but he is just as successful at humor. Tchaikovsky borrows ideas from Star Trek, Borges, A Canticle for Liebowitz, and the Wizard of Oz (among other sources), then milks them for their comedic potential. The story can be read as a cautionary tale about the potential causes of humanity’s destruction, but the end of civilization has never been funnier.

RECOMMENDED

Time Out by Michael Marshall Smith

Published by Subterranean Press on April 1, 2024

Time Out begins as a typical Last Man on Earth Story. It evolves into the story of a man who is forced to reflect on the content of his character.

The narrator wakes up on the morning after Christmas to discover that his wife and daughter are missing. He assumes they went for a walk. Then he notices that the internet isn’t working. Neither is the television. When he decides to look for his wife, he sees no other people. No cars are in motion. There are no airplanes in the sky. When he knocks on doors, nobody answers.

Within a day, animals have also disappeared. Yet things are different from day to day. When he breaks the glass in a door so he can enter a hardware store, the broken glass has been replaced when he visits the store on the following day.

Perhaps there has been a biblical rapture, but surely people exist who are less worthy of salvation than the narrator. Where are they? The narrator can’t understand why the electricity is still on and the water is still flowing, but cellphone service and the internet aren’t working. I was wondering that myself, but it turns out not to matter. This isn’t the kind of science fiction that’s supported by science, which makes it more of a fantasy, or perhaps a thought experiment.

As the narrator contemplates the new present, his thoughts turn to the past. He wonders whether he has been a selfish a-hole, too often absorbed in his own thoughts, too often unwilling to compromise with his wife and daughter. He knows he did something that could harm his marriage and, by looking at his wife’s cellphone, he knows his wife learned about it. Maybe none of this matters if he is the only person left on the planet, but it matters to the narrator, as it should. And that is perhaps the novella’s point. A time out — a period during which we are forced to reflect on our lives and consider how the absence of people we care about might make us feel — would benefit us all. The story makes that point in a scenario that is interesting and engaging.

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The Unlikely Affair of the Crawling Razor by Joe R. Lansdale

Published by Subterranean Press on April 1, 2024

Edgar Allen Poe is credited with creating the first fictional detective. Some years ago, Joe Lansdale contributed to a collection of new stories about Poe’s C. Auguste Dupin. Lansdale brings Dupin back in the novella-length The Unlikely Affair of the Crawling Razor.

A young man named Julien has been investigating the catacombs in Paris. A series of gruesome murders has coincided with his investigation. Pieces of one victim’s body were scattered in the catacombs. A disemboweled victim was found on the doorstep of Julien’s sister Aline. Fortunately for Aline, Julien has paid a tavern owner to lock her inside her room at night. Unfortunately for Aline, Julien has disappeared. She visits Dupin in the hope that the famous solver of mysteries can find her brother.

The story takes on an air of the macabre when the tavern owner explains how he was chased by a demonic entity on his last visit to lock Aline’s door. Julien has a collection of books that describe portals to supernatural dimensions. He seems to have made a particular study of the Lord of the Razor (who happens to be an early Lansdale creation). If one of the Razor’s sharp instruments causes someone to bleed, the Lord of the Razor enters that person’s soul.

Dupin and his assistant (the story’s nameless narrator) embark on a search for Julien that takes them on a couple of trips to the catacombs. Bones and skulls and rats provide an appropriate setting for a confrontation with a demon.

Lansdale is a versatile writer. He dabbles in crime, humor, science fiction, and westerns, often mixing genres in original ways, but he is also one of the better horror storytellers in the business. The Bottoms is one of the most frightening books I’ve read. This novella is a bit too conventional to be truly scary, but the Lord of the Razor is sufficiently creepy to inspire a few chills.

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