First serialized in Japan in 1993 and 1994. Published in translation by Kodansha/Vertical Comics as a graphic novel on June 27, 2023.
Its publisher describes River’s Edge as “a celebrated work that shows the hardships and the realities of growing up as a teenager in early 90s Tokyo.” Ichiro Yamada’s hardships are harder than most. Boys beat up Yamada because he’s quiet — and probably because girls like him. They suspect (correctly) that he’s gay. Girls like Yamada because he’s stylish and has a pretty face.
Yamada is dating Kanna Tajima but she doesn’t know he’s gay. Yamada thinks he might start liking girls if he dates one. Not surprisingly, he only ends up hurting Tajima. Yamada should really tell Tajima that he's gay since she’s overdosing on teen angst about why Yamada isn’t getting physical with her. I guess teen angst knows no geographic or cultural boundaries.
Haruna Wakakusa rescues Yamada when her boyfriend Kannonzaki locks him inside his locker. Yamada confesses his secret to Wakakusa and they become friends, much to Kannonzaki’s displeasure.
Yamada found a dead body in a field (more of a skeleton at this point) and thinks of it as his “treasure.” There’s something about seeing a corpse that comforts him. The only other person who has discovered the skeleton is a pretty actress with an eating disorder named Kozue Yoshikawa. Kozue is strange in a warped and unpleasant way. Readers who don’t want to read about animal abuse might want to avoid this graphic novel, while nearly all readers will find Kozue’s interest in dead kittens to be unattractive. Wakakusa befriends homeless kittens, which makes it all the more strange that she isn’t repulsed when Kozue kisses her.
Wakakusa envies Rumi, a high school friend whose 38-year-old boyfriend buys her expensive cosmetics. Wakakusa had sex with Kannonzaki just to experience sex (she finds it filled with “contradictions and mysteries”). Rumi has sex with him for fun (and is much more into it than Wakakusa) but she becomes pregnant, possibly by Kannonzaki. Now Wakakusa is ghosting Kannonzaki, which his ego can't handle despite having a second girl to use for sex. Naturally, Rumi has teen angst in the form of jealousy about Wakakusa.
Characters lose control and gruesome acts of violence occur the story’s second half. One is accompanied by this narrative explanation: “Tragedy doesn’t just occur at random. That’s not how it works. The truth is that it slowly, gradually prepares itself. In the midst of our stupid, boring daily lives, that’s how it comes, and when it happens, it’s like a balloon popping out of nowhere.” That passage sums of the graphic novel’s theme: life is boring until it becomes tragic, but both boredom and tragedy suck.
The story has some interesting insights, including a character’s observation that teenage girls gossip incessantly to avoid saying anything meaningful. The characters ruminate about death quite a bit, sometimes imagining they see ghosts. They don’t seem capable of imagining a future in which they are still alive, with new friends and new ways of seeing themselves, but that’s what it’s like to be a teen.
I’m not an art critic, but the comic is drawn in the simple, sketchy style I associate with Dagwood and similar comic strips. It’s sometimes difficult to tell characters apart, particularly when they are drawn without a face. The style didn’t bother me, but this isn’t a graphic novel that enhances the story with impressive art. At least the characters don’t have ridiculously big eyes.
Fans of Japanese manga and/or teenage angst might understand why River’s Edge is a “celebrated work.” I can only say that the story is sufficiently interesting (in part because Japanese culture is interesting) that I remained engaged from chapter to chapter.
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