Published by Algonquin Books on July 21, 2020
The Lives of Edie Pritchard follows a woman through three segments of her life, focusing on the choices she makes as she transitions (or doesn’t) to what might be considered a “new life.” But we only get one life. The novel’s point, I think, is that our life is defined by the choices we make. Sometimes those choices don’t seem like a choice at all, particularly when we decide that not to make a change is the most responsible choice, even if we might prefer a different life to the one we're living.
Edie Pritchard begins the novel in Gladstone, Montana. She dates and eventually marries Dean Linderman, a dull but decent fellow who has a more exciting and less decent brother named Roy. There was a time when Edie came close to letting Roy have his way with her. Roy doesn’t handle rejection well, so he continues to pursue Edie even after she marries his brother. Dean doesn’t handle his insecurity well, even though Edie gives him no reason to be jealous.
For reasons that are at least partially Roy’s fault, he crashes his car and is rescued by Edie. The circumstances are innocent but Dean can’t rid himself of his suspicion that there is more to the story. Some of the drama in the first section surrounds Dean’s belief that Roy should get justice of some sort from the people who, in Dean’s view, are responsible for Roy’s accident. Edie views this as men being men and, even though she’s still young, she’s pretty sick of men being men. The first section ends with Edie Linderman making a choice about whether she wants to stay with Dean or leave Gladstone.
In the second segment, Edie is middle-aged and living in Granite Valley, Montana. She’s married to Gary Dunn, with whom she has a daughter named Jennifer. Gary, like Dean, has a problem with unwarranted jealousy, as if it is Edie’s fault that men are attracted to her. When Roy calls to tell her that Dean is dying of cancer and wants to say goodbye, Gary’s reaction is inappropriate. He’s never been able to accept the fact of Edie’s earlier marriage. At some point, Edie finds herself back in Gladstone, this time with Jennifer. When Gary arrives uninvited, it seems a confrontation between Roy, Dean, Gary, and another guy might ensue. All of this “men being men” is again too much for Edie. The second section ends with Edie Dunn making a choice about whether she wants to stay with Gary or leave Granite Valley.
In the third segment, Edie is in her sixties, living contentedly alone in Gladstone, free from the drama that men insist on causing. The drama reappears when her granddaughter visits, bringing with her a boyfriend and her boyfriend’s brother, who is clearly going to cause trouble. The segment reunites Edie with Roy, who helps her rescue the granddaughter from “men being men,” although whether the effort is worthwhile is debatable. Whether Edie and Roy will get together on Edie's terms is an underlying question. The answer is one of the story’s many surprises.
A good bit more occurs during the course of the story but the plot sketch above provides some sense of what the novel is about. Each section generates dramatic tension that centers largely on whether men will harm Edie because of their desire or jealousy or bad judgment or inability to exercise self-control. Despite its subject matter, The Lives of Edie Pritchard avoids becoming a soap opera by its close examination of how Edie’s life is dictated both by choices she makes and by choices she feels forced to make. The novel seems to suggest that no matter how much we try to distance ourselves from trouble, it is always waiting around the next bend.
Roy changes quite a bit during the course of the novel, perhaps not fundamentally but behaviorally. Edie has always known who she is and stays true to herself. Her changes are those that come with age and the acquisition of experience and wisdom. By the last segment, Edie has demonstrated remarkable resilience and proves that she doesn't need a man to protect or guide her.
Larry Watson’s writing is, as always, a combination of power and grace. He manages to infuse elements of a thriller in what is essentially a domestic drama — or in this case, three domestic dramas that add up to a life.
The theme of “maleness” as something with which women must cope is explored without bashing men, although I suspect most men will see something of their instinctive selves in some of the characters. Recognizing those instincts is the key to banishing them and becoming a man who is more respectful toward women. For that reason, I suspect The Lives of Edie Pritchard is a novel that will appeal equally to readers of both sexes. Any reader is likely to become caught up in the peaks and valleys of the plot and to either identify with a character or to recognize a character in someone we know well.
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