First published in the UK in 2019; published by Atria/Emily Bestler Books on October 15, 2019
A Book of Bones brings an end to the story arc that has developed over the last five or six Charlie Parker novels. The arc involves the efforts of a long-lived man named Quayle and his freakish female friend named Mons to assemble a book called The Fractured Atlas, whose parts have been woven into other books and scattered across Europe and America. When Quayle finishes his reassembly of The Fractured Atlas, a demonic universe of old gods will rip up the fabric of the universe we know, bringing everything to an end.
In A Book of Bones, a fellow named Holmby kills Romana Moon and leaves her body in the moors of Northumbria. The crime troubles the police, but they are even more troubled by what he left inside her body. The killing took place at a site once used by Familists as a place of worship. The Familists were a religious sect that believed all things are ruled by nature rather than God. They have played a key role in the story arc and one of the few remaining Familists assures that Romana is only the first in a series of victims whose deaths will help fracture the universe.
I would find an apocryphal plot of this sort a bit eye-rolling in the hands of most writers, but John Connolly isn’t most writers. He almost had me believing in lost gods and evil beings trapped in church windows. Connolly has a knack for the creepy, but he also has a gift for characterization. Parker is a complex, tormented man whose heroism isn’t based on muscles or skill with a gun but on a steadfast belief that standing up to evil is the right thing to do. In contrast to the parade of tough guys who populate thrillers, Parker is surprisingly gentle and humane. Even his stone-cold killer friend Louis and his burglar friend Angel (who are partnered in a touching relationship) display unusual sidekick depth for the thriller genre.
I’m glad to see the story arc conclude because the supernatural really isn’t what I look for in thrillers. I nevertheless recommend the entire series without reservation because Connolly is one of the best prose stylists in thrillerdom. There is quite a bit of prose in A Book of Bones (it weighs in at nearly 700 pages) but the story is never padded, the plot never drags, and there is never a confusion of characters. I credit that to Connolly’s craftsmanship as a storyteller. Connolly apparently plans to return Parker to his detective roots in the next book, without making the supernatural a key plot element. That’s fine with me, but anything Connolly does is fine with me. He’s just a joy to read.
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