First published in Canada in 2014; published by Little, Brown and Company on January 10, 2017
Russian soldiers are hanging Hungarian soldiers from lamp posts as young Robert Beck looks on. Russian soldiers loot his home and evict his family from their apartment. Robert, his brother Attila, and the rest of his Jewish family have no choice but to flee. So begins a perilous journey to the Austrian border, dodging Russians and hoping for the best when crossing a minefield.
Their destination is Paris, where an aunt lives, and ultimately New York. The boys encounter an interesting variety of people on their journey, as well as a monkey. Lives intersect briefly, people come and go, an experience that is common to the displaced. The aunt has her own story of atrocities to tell.
Familiar arguments about the merits of racial purity and ethnic cleansing spark the second half, followed by arguments among people who spout nonsense like “You can’t have Handel without Hitler.” Eventually the boys have a far-fetched adventure that seems to have been included only to give the story a contrived ending.
Robert, who narrates the story, is cautious and contemplative. Attila is wild and seemingly intent on living up to his name. Some passages attribute a graduate student’s level of sophistication to Attila (particularly when he discusses opera), which I found hard to accept.
Their father has a mysterious cousin named Paul who is wanted by the police for reasons that are hidden from the children. In fact, a good bit is hidden from the children, but Robert is able to piece together clues about the world’s harsh realities during the long trip to Paris. Attila insists on knowing the dark family secret concerning Paul, but the adults are unwilling to share it. When the dark secret is finally revealed, the remaining question is what the boys will do with the knowledge. The answer is disappointing.
The Afterlife of Stars is filled with interesting scenes and conversations, even if the story as a whole isn’t terribly interesting and not nearly as moving as other stories of oppressed refugees in the Second World War. Dramatic tension is oddly absent from a setting that should be filled with drama and tension. I admired the quality of Joseph Kertes’ prose, but the novel’s humor is forced and the story doesn’t seem to know where it wants to go. It ultimately goes nowhere, although the journey has some compelling moments.
RECOMMENDED WITH RESERVATIONS