Published by Dutton on August 23, 2011
The Keeper of Lost Causes imagines that Denmark has created a new department for the investigation of unsolved crimes. Homicide investigator Carl Mørck seems the perfect choice to head Department Q, in part because he will be working with only one other person, a mysterious Syrian named Hafez el-Assad whose chief duty (at least initially) is to clean the floor. Mørck is not well liked by other homicide cops; he’s become even more difficult since he and his two partners were shot at a crime scene. Mørck carries the guilt of one partner’s death and of the other’s paralysis. He blames himself for his inaction, a sentiment that is widely shared within the department. Midway through the novel Mørck is forced to confront his buried emotions -- particularly after he begins to experience panic attacks.
The first chapters of The Keeper of Lost Causes shift between 2007, as Mørck sets up Department Q while trying to avoid any actual work, and 2002, when a member of Parliament named Merete Lynggaard disappears from a ferry. Merete’s mentally disabled brother Uffe was suspected of murdering Merete but her body was never recovered and Uffe was never charged with the crime. Merete’s presumed drowning in the Baltic Sea becomes the first Department Q file to claim Mørck’s reluctant attention. Despite Mørck’s desire to wall himself off from life, Assad prods Mørck until his curiosity compels him to seek answers to the questions posed by Merete’s disappearance.
Jussi Adler-Olsen has a wicked imagination. Few writers have made me feel the utter helplessness of a victim’s plight with such skill. Adler-Olsen portrays the psychological impact of captivity and isolation over the course of time in scenes that are both subtle and powerful. In that regard The Keeper of Lost Causes reminded me of The Collector, John Fowles’ masterful examination of a victim’s response to subjugation. While you won’t find Fowles-like prose in The Keeper of Lost Causes, Adler-Olsen’s workmanlike writing style is more than adequate to the task. And if Adler-Olsen’s characters lack the depth of Fowles’ characters, they are still more complex and interesting than the stock characters found in most thrillers.
Adler-Olsen builds tension methodically before delivering an exhilarating climax. The motivation for the crime against Merete seems unlikely in the extreme, but given that damaged people are often prone to irrational behavior, I suppose it is within the realm of possibility. In any event, the plot is inventive. Given the exceptional storytelling displayed in this novel, Adler-Olsen has me looking forward to the next Department Q mystery.
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