Published by Ballantine Books on March 29, 2005
Scott Phillips' first two novels -- quirky, darkly funny crime stories set roughly in the present -- proved that he can write. In Cottonwood, Phillips departed from the conventions of crime fiction to write a quirky, darkly funny western. Crime works its way into the story, but the crime plot is secondary to Phillips' strong characterization.
Cottonwood takes place between 1872 and 1890. Essentially a mixture of a western and a thriller/mystery, Cottonwood tells the story of Bill Ogden, a photographer who comes to the frontier town of Cottonwood, Kansas to homestead a farm with his new Dutch wife and their son. Ogden doesn't take to farming, so he hires a hand to do most of the work while he establishes a saloon and photography studio in the town. The handyman catches the attention of Ogden's wife, a circumstance that would probably be more upsetting to Ogden but for his uncontrolled gift for charming women, married and unmarried alike. Eventually he becomes entangled in a dangerous affair, starts wondering about the mysterious disappearance of visitors to Cottonwood, gets involved in an old fashioned shootout, and begins a journey that years later brings him back to a very different Cottonwood.
The story works because Ogden is such a strong character. As he struggles to build a life, struggles with romance, struggles with family, and struggles with moral decisions, the novel's fascination comes from watching him confront (or dodge) those challenges. Phillips tells a lively, imaginative story that is enhanced by his incorporation of a family of Kansas killers into the plot that actually existed. As he did in his first two novels, Phillips proved that he can write. This fine effort deserves a wider audience.
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