Published by Random House Trade Paperbacks on April 17, 2007
Nicole Blake should not be in France. She was invited to leave the country -- permanently -- after she finished serving her sentence at the Maison des Baumettes prison in Marseille. Nonetheless she lives with a rescued dog in an old farmhouse with a chicken coop in the Pyrenees, enjoying fresh eggs for breakfast while doing contract work for a document security firm (her expertise in forgery is the cause of her unwelcome status in France). Nicole's life is good until John Valsamis shows up with a photo of her former lover, Rahim Ali. Valsamis claims Rahim is assisting Saddam Hussein's cohorts with terrorist bombings. Valsamis, who works for the shadowy Dick Morrow, a member of a clandestine agency unknown to the CIA that is affiliated with the Defense Department, threatens to expose Nicole if she doesn't help him find Rahim. Off to Lisbon Nicole goes and the adventure begins.
The story plays out against the backdrop of the American invasion of Iraq and the search for elusive WMD's. From the first page, Carr creates a sense of foreboding that compels the reader's attention. Point of view shifts between Nicole's first person account and third person narration that follows other characters. From time to time Nicole fills in her backstory with memories of her childhood in Beirut, her mother's defiance of the city's violence, and the time she spent with Rahim in Lisbon (a time when she had "surrendered to the fetish of longing," one of the novel's many striking phrases).
An Accidental American is structured as an intricate puzzle, pieces falling into place as the story unfolds. Early passages gain meaning as later passages impart new information. The ending is unexpected. The structure commands the reader's attention without becoming Byzantine (as it tends to do in Carr's second novel, The Prince of Bagram Prison). At one point Nicole takes a dangerously stupid action that advances the plot but doesn't seem credible. For the most part, however, the story is plausible; in any event it is suspenseful. Carr's writing style is stark yet evocative -- the novel reads like serious literature in a way that most thrillers do not.
Carr paints a grim picture of American intelligence operations in the Mideast. Readers who supported the invasion and occupation of Iraq and those who revile unsympathetic portrayals of America's foreign policy will probably dislike An Accidental American. Readers who base their judgments on the quality of the writing rather than disagreement with the novel's political stance will probably enjoy it. Carr appended an "author's note" at the novel's end discussing the 1983 embassy bombing in Beirut and the relationship between fact and fiction. Readers may or may not agree with her historical view but that should be (although it probably isn't) irrelevant to how they experience the novel. In her note, Carr writes that she struggled to create realistic characters "whose motives are often less than pure and always complicated." Many readers have no patience with characters who are not morally pure; they prefer simple characters who "know right from wrong" to characters with a more nuanced perspective. Those readers should probably avoid this novel. Readers who believe fiction should reflect the complexity of the world and its peoples are more likely to appreciate An Accidental American.
Alex Carr is the penname of Jenny Siler. The character of Dick Morrow connects this novel to The Prince of Bagram Prison. An Accidental American is the more successful of the two novels.
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