The Nearest Exit by Olen Steinhauer

First published in 2010; reissued by Minotaur Books on February 4, 2020

The Nearest Exit is the second novel in Olen Steinhauer’s Milo Weaver trilogy. The trilogy was recently reissued because a fourth novel will soon be added to the series.

As we learned in The Tourist, Milo does nasty work for a branch of the CIA that few people know exist. Together with the Tourist Agents who research and support their missions, Tourists travel around the world imposing America’s will on foreign entities, usually by killing people the Tourist masterminds have come to dislike.

Milo didn’t seem to have or want much of a future as a Tourist by the time the first novel ended. He wanted to devote himself to his wife and daughter, not to the whims of his agency. When the new boss wants Milo to return, Milo finds he has little choice. Milo begins with some baby assignments but is eventually charged with killing a 15-year-old girl named Adriana Stanescu. Milo wonders if he is being asked to kill a child to prove his loyalty, but having a daughter of his own, he finds a way to circumvent the mission without jeopardizing his career. To achieve that goal, he enlists the help of his father, who is running a little spy operation of his own for the UN, unbeknownst to pretty much everyone except Milo.

Adriana’s eventual fate pits Milo against his boss, his father, and a highly placed German law enforcement agent named Erika Schwartz. Erika is morbidly obese and a serious alcoholic, although she reserves her heaviest drinking for the end of the workday. She’s also astonishingly good at her job, making her the most intriguing supporting character in the book.

Erika has a video of Milo kidnapping Adriana, which turns her into one of Milo’s many adversaries. Adriana’s father is another. But the most formidable of the group is a Chinese spymaster who may or may not have planted a mole among the Tourists — or perhaps among the few Senate aides who are cleared to know about the Tourist program.

The plot combines traditional themes of betrayal with a clever Chinese scheme that has Milo more than once changing his mind about the existence of a mole. By the time the action winds down, things are not looking good for the Tourists. Milo’s future seems particularly bleak, as does his marriage, which has not benefitted from his employer-imposed secretiveness or from his absences from the family as he charges off to make the world safer. Even the CIA-approved marriage counselor has some doubts about Milo’s ability to focus on his family.

Unlike the first novel, the story ends on something of a cliffhanger. That’s not unexpected in a trilogy and, having read the first two, I can’t imagine that any spy fiction fan would forego the pleasure of reading the third installment. The combination of strong plotting, international intrigue, and sharp characterizations enshrine Steinhauer in the top echelon of American spy novelists.

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The Tourist by Olen Steinhauer

First published in 2010; reissued by Minotaur Books on November 7, 2019

The Tourist was first published in 2010. I try to read as many reputably published spy novels as I can find, but 2010 was a bad year in my reading life. Several years later, I read and enjoyed a more recent novel by Olen Steinhauer, but I didn’t make it back to the trilogy that began with The Tourist. Fortunately, Minotaur is reissuing trade paperback editions of the Tourist novels and has made them available for review, presumably to promote the publication of a fourth Tourist novel next year. I am grateful for the opportunity to catch up on some spy novels that I didn’t know I’d missed.

Charles Alexander is an American spy. More specifically, he is a Tourist, a CIA agent who travels abroad and makes deadly mischief (as opposed to the Travel Agents who stay in America to facilitate the Tourists). His real name is not Charles Alexander, but he’s used that name for two years.

Taking a break from pondering suicide, Charles goes to Slovenia in search of a station chief who disappeared with a pile of money. The chief was supposed to give the pile to an informant in exchange for the location of a Bosnian war criminal whose capture would put a feather in the American cap. Charles’ contact, who works for the chief, is Angela Yates. Charles quickly finds evidence suggesting that the station chief, despite his long and loyal service, is both a thief and a murderer. After tracking the station chief to Venice, events take a wrong and violent turn, convincing Charles it is time to change his life.

Six years later, Charles is Milo Weaver, a man with a wife and daughter. He has promised to stay home as much as he can. Milo has been tracking an assassin known as The Tiger, who crossed his path in Venice. An encounter with The Tiger takes a strange turn that causes Milo to be suspected of a crime.

Soon after that meeting, Milo travels to Paris to set up Angela Yates, who might or might not be passing secrets to the Chinese. The plot threads involving Yates, the Chinese, the Tiger, and the Tiger’s client quickly entangle. After some nicely written action scenes, Milo finds discovers that lies he told about his past are disrupting his career and marriage. If help is to arrive, it will come from an unexpected source. By the end of the novel, Milo is something of a mess.

Despite being the opening novel of a trilogy, the story is self-contained. The Tourist combines thoughtful character development with a credible, intriguing plot. The novel moves briskly, not because it is action-filled (although it has some adrenalin-boosting scenes), but because the story and characters are so interesting that the reader is motivated to learn what happens next. In fact, The Tourist motivated me to move on to the second novel of the trilogy, which I will do with pleasure.

RECOMMENDED

A Most Wanted Man by John le Carré

Published in the UK and by Scribner in the US in 2008

There is no more observant student of human nature than John le Carré. He explores the spaces between what people say and what they leave unsaid. He examines motivations, which are so often failings: an aging man’s irrational devotion to a young woman; an aging woman’s loyalty to a bond that never existed; bureaucracies at war with each other and bureaucrats at war with their souls. His protagonists are keenly aware of their shortcomings and often think of how their lives could have, or should have, turned out differently. So it is with Tommy Brue.

Brue is a private banker in Hamburg, having inherited and then moved the bank he inherited from his father. Brue also inherited some questionable accounts that his father created to hold wealth smuggled from the collapsing Soviet Union.

A lovely and lively young lawyer for a charitable organization gives Brue an account number that was given to her by Issa, who got it from his father, who got it from Brue’s father. Issa is from Chechnya and has spent time in a Turkish prison. He managed a harrowing journey to Hamburg despite being wanted by law enforcement agencies in several countries.

To determine whether Issa is entitled to funds that Brue would prefer his father had never accepted, Brue must delve into Issa’s identity and history. John le Carré develops not just Issa’s story, but the story of Chechnya — the home of Issa’s mother, who was raped at fifteen by Issa’s Russian father. Issa looks to Brue for protection rather than money, but Brue is not in the protection business. Brue is in the uncomfortable position of addressing moral questions rather than banking questions. If (unlike his father) Brue insists that legal formalities be followed, Issa will likely be deported and then will certainly be tortured, by Turks or Russians or others.

Brue is typical of John le Carré protagonists, particularly in his later work. Brue suspects his wife is cheating on him but doesn’t want to know. He runs from difficulties, preferring avoidance to confrontation. His social behavior is proper but he is incapable of expressing true feelings. He behaves prudently during an uneventful life until the time comes to choose between cautious behavior and meaningful but dangerous action. When he makes the choice, he isn’t entirely sure why. He is energized by a young woman who ignites, if not lust exactly, an opportunity for self-examination.

Issa’s lawyer, Annabel Richter, is also typical of le Carré in that her character is complex and conflicted. She views Issa as “her tutor in unbearable pain and hope.” She has learned from failure — hers as a lawyer, or the legal system’s — that a time would come when she would break all the rules for a client. Issa is that client.

The other key character, apart from Issa, is Gunther Bachman, a German intelligence officer stationed in Hamburg as punishment for his sins. One of his people sees that Sweden has identified Issa as an escaped prisoner from Turkey who gave the slip to Swedish authorities. Bachman works out that Issa may be coming to Hamburg. He then finds himself in a bureaucratic nightmare as British intelligence, the CIA, and his German superiors engage in a turf war.

Issa is far from a terrorist. He wants nothing to do with violence or his father’s wealth, which he regards as ill-gotten and thus in violation of Islamic law. He wants only to pursue a career in medicine. The plot focuses on how the fighters in the war on terror are at war with humanity in their willingness to sacrifice the innocent, all to make doubtful gains in their efforts to thwart terror. Some readers might see the novel as cynical; I viewed it as honest. As always, John le Carré tells a good story and creates characters who stay with the reader long after the last page is turned.

RECOMMENDED

The Eighth Sister by Robert Dugoni

Published by Thomas & Mercer April 9, 2019

The Eighth Sister starts as a spy novel and turns into a lawyer novel. Two of my favorite genres rolled into a single book. I’m happy to report that the result will appeal to fans of both espionage thrillers and courtroom thrillers.

Seven Russian women, known as the Seven Sisters, were trained as American agents during the Cold War. Now that Putin is in charge, three have been killed. Former CIA agent Charles Jenkins, who runs a security service with cash flow problems, is recruited to travel to Moscow and identify the eighth sister, a Russian operative who is trying to ferret out the identities of the remaining four. Once Jenkins identifies her, someone else will kill her.

Jenkins is recruited by the man who used to be his station chief in Mexico City. For that reason, Jenkins believes that the CIA has authorized his mission. I suspect that most fans of spy fiction will wonder from the start whether that is true, and will wonder why Jenkins doesn’t do more to confirm that he is actually serving his government. But he’s getting paid handsomely, so maybe he doesn’t care.

Jenkins has a 9-year-old son at home and another baby on the way. He is 64 years old, 6’5” and black, so he stands out a bit in Moscow. The plot includes some good chase scenes in Russia when the mission goes south. It also introduces collateral characters who are self-sacrificing, adding a feel-good element to the story that never seems manipulative.

Every good spy novel contains at least one double-cross while challenging the reader to guess whether certain characters are good guys or bad guys. After the double-cross occurs, Jenkins is accused of being a traitor, a charge that never sits well with jurors or hanging judges.

The story offers a realistic view of the lengths to which the federal government will go to poison the public’s mind when it makes arrests, doing everything it can — from perp walks to press releases — to make a suspect guilty in the public mind until proven innocent. And convincing witnesses to tell the government’s version of the truth, even if it isn’t objectively true, is a specialty of federal prosecutors.

Jenkins is defended by David Sloane, a seasoned lawyer who has appeared in other Robert Dugoni novels. The plot depends on the government bringing Jenkins to trial while withholding evidence of his innocence — something no ethical prosecutor would do, but not every federal prosecutor is ethical. In our imperfect world, however, prosecutors (and particularly federal prosecutors) know their odds of being disciplined for ethical lapses are virtually nonexistent. I also found it doubtful that a majority of the Ninth Circuit would go along with a charade that prevents a defendant from presenting compelling evidence of innocence (some other circuits, yes, but the Constitution is still in effect on the West Coast). Still, it is easy to roll with the court’s ruling to keep the story moving.

The courtroom scenes generate the kind of drama that legal thrillers should create. The Eighth Sister effectively bridges the spy and legal genres, telling two very different stories but telling them both well. I don’t recall another novel that combines the genres in quite this way, so bravo to Dugoni for doing something new and clever — and for doing it so ably.

RECOMMENDED

American Spy by Lauren Wilkinson

Published by Random House on February 12, 2019

American Spy is a mixture of domestic drama and spy thriller. Much of its focus is on the difficult childhood and questionable parenting that shaped its protagonist, Marie Mitchell, and on Marie’s problematic relationship with her mother. Surrounding those domestic problems is a plot that follows Marie’s short career with the FBI and as a contractor working against the interests of a politician in Burkina Faso.

The novel begins in Connecticut in 1992. An attempt to kill Marie in her sleep doesn’t end well for the assassin. Two days later, using fake passports, she moves her two sons to Martinique, where her mother was born and is currently living.

After a day, Marie begins writing a journal so that her children, who believe their father died in a war, will one day understand the truth about her mother’s life. Most of the story consists of that journal. Do mothers who write extended explanations to their children include dialog and atmosphere? Maybe literature professors do, but not FBI agents who have been trained to stick to the facts and produce the dullest prose imaginable. I didn’t buy the journal concept, although most of the time it is easy to ignore the fact that the story is not told in a conventional narrative.

Marie’s story starts in New York, when in 1987 she is asked to leave the FBI so that she can work as a temporary contractor for the CIA. But Marie’s backstory dates to her childhood in Queens, where her father was a cop. Her interest in espionage may have been born when her 13-year-old sister confidently announced her intent to become a spy, showing no concern that her race might be a barrier to joining the intelligence community. Helene was always the braver, less timid sister, and it was Helene who encouraged Marie to follow in her footsteps. Some of the novel’s backstory follows Marie’s aborted relationship with Helene during their adulthood, as well as Helene’s romantic relationship with Daniel Slater. That relationship leads to revelations that become a turning point later in the story.

By 1987, the FBI had proven itself to be more lawless than the organizations upon which it spied, including its role in the murder of Fred Hampton while he slept. Marie has little love for her employer and is pleased to be asked to help gather intelligence about Burkina Faso while its president, Thomas Sankara, is in New York. The long-term goal is to influence the country’s elections with a political party America controls — the CIA’s version of “true democracy.” Marie has little interest in American expansionism, and even less in sleeping with Sankara in exchange for an obscene amount of money, but in the belief that she can outwit both her handler and Sankara, she accepts the assignment in order to pursue an agenda of her own.

The main plot follows Marie’s relationship with Sankara as she tries to sort through how she feels about his charismatic condemnation of imperialism and his flirtation with authoritarianism, how she feels about the CIA’s attempt to use her, and how she feels about the revelations mentioned above. The pace is deliberate but the story is so rich in detail that it never becomes dull. The plot holds a nice surprise although not the sort of surprise that has become conventional in spy novels.

The decision to emphasize domestic drama might put off some spy novel fans but it might also appeal to domestic drama fans who typically avoid spy novels. I wouldn’t herald Lauren Wilkinson as the second coming of John le Carré, as have some people who blurbed the book, but Wilkinson’s fresh take on spy novels has some appeal. I appreciated its focus on a country that is rarely in the news and on the way in which private companies meddle in foreign affairs with America's under-the-table blessing, not to promote democracy but to increase private wealth. Apart from the novel’s other merits, I also appreciated Wilkinson’s graceful prose.

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