The Tzer Island book blog features book reviews written by TChris, the blog's founder.  I hope the blog will help readers discover good books and avoid bad books.  I am a reader, not a book publicist.  This blog does not exist to promote particular books, authors, or publishers.  I therefore do not participate in "virtual book tours" or conduct author interviews.  You will find no contests or giveaways here.

The blog's nonexclusive focus is on literary/mainstream fiction, thriller/crime/spy novels, and science fiction.  While the reviews cover books old and new, in and out of print, the blog does try to direct attention to books that have been recently published.  Reviews of new (or newly reprinted) books generally appear every Monday, Wednesday, and Friday.  Reviews of older books appear on occasional weekends.  Readers are invited and encouraged to comment.  See About Tzer Island for more information about this blog, its categorization of reviews, and its rating system.

Monday
Nov152010

TSAR by Ted Bell

First published in 2008

There are espionage writers like John Le Carre, Robert Littell, and Len Deighton who craft credible stories about memorable characters. There are espionage writers like Ian Fleming who create a larger-than-life hero whose adventures aren't particularly credible but are nonetheless great fun. And then there's Ted Bell, who brings us Alex Hawke: an over-the-top version of James Bond whose adventures in Tsar aren't even within spitting distance of credibility and whose prose doesn't quite reach the level of decent pulp fiction.

To some extent, I viewed Tsar as a guilty pleasure: a fast, easy read that featured plenty of preposterous action and a sharply defined (if incredibly simplistic) view of good and evil. The novel reads like a parody of a James Bond novel and some of the events Bell imagines (like Hawke's encounter with Putin in a Russian prison where Putin is scheduled to be impaled) are hilarious. Viewed in that light, Tsar produced enough chuckles to make the reading experience tolerable. Unfortunately, Bell's prose style too often falls flat, Alex Hawke is annoyingly self-righteous, the villain is a cartoon, and the "threat" to world security that Hawke confronts is so ridiculous that the novel fails even as parody.

As much as Bell seems to be positioning Hawke as the next James Bond, he just doesn't cut it. If you're looking for a quick, easy action story, Tsar will help you kill some time, but you'd do better to pick up an old Ian Fleming and read or reread the genuine article.

NOT RECOMMENDED

Sunday
Nov142010

WHO? by Algis Budrys

First published in 1958

In this 1958 novel, Dr. Lucas Martino is abducted by the Soviets (back in the days when there was still a Soviet Union). After some months, Martino is returned -- or is he? The repatriated scientist is wearing a metal mask that is bonded to his head -- the result, supposedly, of surgical intervention to save his life after an experiment went awry. He's also been endowed with a mechanical arm and artificial organs. So is Martino the real deal or is he a cleverly disguised Soviet spy, sent to infiltrate the super-secret Allied project known as K-88? It becomes Shawn Rogers' job to solve that mystery and the novel follows Rogers in his attempt to discover the truth.

Budrys alternates chapters that address Rogers' investigation with chapters that take the reader through Dr. Martino's life. That technique enhances the story as the reader wonders whether the man we're coming to know and understand is actually the man behind behind the mask. If he is the masked man, we feel sorry for him, because the "good guys" don't trust him and won't let him resume work on K-88, the job for which he is best suited. The novel's satisfying ending lets us in on the secret of what happened while Martino was with the Soviets. In all, this is a well-structured novel that allows Budrys to explore interesting questions of trust and the meaning of identity: what is it, finally, that makes a man? That's a question with which Martino (or is it Martino?) must wrestle as he resumes his life.

WHO? is perhaps less technically satisfying than Michaelmas, which benefits from a stronger writing style, but I think it is a more intriguing novel, and the best of this fine writer's work.

RECOMMENDED

Saturday
Nov132010

The Open Curtain by Brian Evenson

Published by Coffee House Press in 2006

As a "descent into madness" thriller, The Open Curtain stands out. Brian Evenson's commitment to detail makes the novel work. By interweaving the facts of an actual 1902 murder committed by the grandson of Brigham Young (perhaps with the assistance of an accomplice) and the modern ritualistic practices of the Mormon religion (some of which, as he notes in an afterward, have recently been abandoned), Evenson charts a credible path for his main character's detachment from reality. He gives that character (Rudd) a fully developed supporting cast: a cold mother; a tolerant friend-turned-wife who finds herself drawn to him despite her recognition of his growing isolation; the wife's judgmental and intrusive aunt; teachers and police officers and religious advisers who observe parts of his disintegrating personality but do nothing about it.

The Open Curtain allows the reader to experience the disjointed perceptions of a mind that increasingly fails to distinguish reality from delusion. It does that quite well. Some ambiguities are left unresolved (is Rudd's friend Lael/Lyle real or imagined?) but that makes sense given that the story is told from the perspective of a mind that doesn't know what's real. My only complaint about the novel is that, given the disturbing nature of its subject, the writing sometimes seems too low-key, not as vivid as the subject warrants. Still, I was engrossed by the story. I recommend it to fans of psychological thrillers or horror fiction.

RECOMMENDED

Friday
Nov122010

The Venona Cable by Brent Ghelfi

Published by Henry Holt and Co. on August 18, 2009

The Venona Cable departs from the storyline established in the first two Volk novels. Instead of battling with his past in the context of a present conflict, Volk is battling with his father's past, seeking to learn the truth about the man he never knew. When Volk's father defected to the United States, was he a traitor or a double agent working for Moscow?

Volk is dispatched to the US to learn why an American was murdered in Volk's Moscow warehouse while attempting to deliver to Volk a copy of a World War II era cable (one of the Venona cables which, if you Google the subject, will lead you to an intriguing real world story of espionage). While in the US, Volk must unravel the secret of the cable, its connection to current day spy networks (both Russian and American), and its relationship to his father. The story is therefore more in the vein of a conventional spy thriller than its predecessors. The violence in this novel is toned down a bit (although there's still a fair amount of mayhem as Volk repeatedly fights for his life), Volk's partner Valya and his boss the General play backstage roles, and American spy Brock Matthews, who turns up only collaterally in the first two novels, plays a central role in this one.

As do the first two, this novel works nicely as a thriller, maintaining a steady pace that increases to a frenzy as the novel nears its end. The Venona Cable would be an enjoyable read without having read the first two Volk novels, but you would have deeper insight into Volk's character if you read the first two before reading this one.

RECOMMENDED

Thursday
Nov112010

Adventures of the Artificial Woman by Thomas Berger

Published by Simon & Schuster on April 27, 2004

This thin novel skates into a guarded recommendation because of its amusement value.  Ellery Pierce makes robotic contraptions that a movie like Jurassic Park might use.  Having had little luck with women, he uses his talent (and workshop) to craft one of his own design.  Perhaps he made her too well, because she has little use for him while pursuing a fleeting career in Hollywood (rising to the pinnacle before crashing to the soaps) and then running for the presidency, on a write-in ballot no less.

The concept of an artificial partner, designed to give the creator what he (or she) wants without all the hassle of an actual human being, has a certain comic appeal,.  The robot rejects the creator's dominion, behaves with vexing independence ... a cute but unoriginal concept.  Unfortunately, Thomas Berger does nothing new or meaningful with the idea; worse, he makes the artificial woman into a political bimbo, a robotic Chauncey Gardiner.  At its best moments, the novel delivers some chuckles; it aggressively fails to do anything else.  A novel like this could illustrate the superficiality of basing judgment on appearance or offer insight into relationships between real men and women.  Berger instead opted for a simple, unimaginative story that is intermittently funny.  Take it for what it is if you choose to take it at all.

RECOMMENDED WITH RESERVATIONS